Yes, the blurry beast has struck! It seems our curious cat is very curious about these new things in his house. Time to think again about where I store my finished toys...
Enter the tall glass cabinet! Yes that's right Mr Kiwi, now you can't play with my painted little people. How disappointing for him. Only problem is, this cabinet only has four shelves and I simply can't fit my Fimir, AdMech and sundry other forces into it. But there is plenty of space between shelves. Time for.... dum dum dum... army display boards! Yes, the excuse and place to keep them are both now there, hussah! Priority number one, get the Fimir sorted out. Since BOYL and the arrival of Mr Saturday and Chilled Monkeybrains' heads (served in a carrier bag from a car boot by Llamafish mwahahahaha!) I've been getting back into my misunderstood cyclopean bog dwellers and have a few new sculpts and conversions on the go for them.
As all good Oldhammerers and Fimir-lovers (steady!) know, Fimir have their origins in Celtic myth and this beautiful Alan Lee illustration from a book of Irish folktales. As all excellent Oldhammerers and followers of this blog will know, my inspiration for the Fimir comes more than a little from these guys:
Both the Skeksis and the Mystics from the Dark Crystal are behind my concepts of the Fimir, their back story and culture and so, obviously, their clan home has to resemble a set from the film. Ultimately their aim is to rediscover the lost castle of Chulaine which bears a strong resemblance to the castle of the UrSkeks, but for the moment Clan Myeri reside in the Valley of the Stones, Mael Fen.
The first step in creating my display board was to plan out how all the models would fit. I didn't want them to be too crowded, but the bases actually mean there's more space than you'd imagine looking at these pictures. I'm reminded of a Frank Oz comment about the other great Henson film, The Labyrinth, where he said that the Great Hall of Jareth resembled Swiss cheese without the puppets in as the puppeteers needed so many points of access!
I didn't want to go down the route of just sliding in movement trays as this would make the footprint of the blocks of models too big and also give a regimented look to the display, whereas I wanted the idea that this is a daily ritual in the life of the clan and they are milling around. In caste and social rank order of course, but not regimented up and marching to war. I am lucky enough to have access to a laser cutter, so getting the right sized holes neatly in the right places was quite straightforward, but even so it took a lot of planning to account for tail placement, height etc. As it is I misjudged some of the access points a bit so getting to some of the Shearl who are lurking in the cave mouths behind is quite tricky.
This was to be a three-layer board depicting the valley and the caves lining it, with the human allies clustered around the top (not permitted to be part of the ceremony) and a returning scouting party winding its way down to the bottom of the valley. The main support for each layer is in the form of 10mm square section wood, carved with a craft knife to give a more rough-hewn look. This is dressed by the main feature of the board- the stones themselves.
For the Deathrace at BOYL I made these piles of rocks from Styrofoam to give a Podrace look to the desert section. These were quite big chunks of Styrofoam, sanded to shape and polyfillered for texture. For the Valley of the Stones I adopted a similar approach, but this time used very thin slices of Styrofoam and cut them with scissors, resulting in the layered 'flint-like' look which echoes the stones on the film set. I cut oodles of them and stuck them together with PVA glue, wedging them between the layers of MDF.
Part of the second layer represents a wooden walkway down which the returning scouts are winding, accompanied by their clan pipers. To achieve this I snapped some wooden mixing sticks (another BOYL trick- planking decks!) and glued just the very edges into the right curve on to the MDF base board. Then I used the laser to chop out the squares for the bases.
The stones between the second and third layer were done in the same way, except that I cut them in half and sandwiched sections of MDF between them to give the pillars for the third layer.
Then I used some polyfiller to texture the undersides to look like rock and fill in some of the gaps in the stones.
Because aerosols dissolve Styrofoam I used an airbrush to base coat and paint the board. I didn't go for too much variation in colour as I wanted the colours on the miniatures to stand out and not have the focus drawn to the board behind. The floor of the board was textured with builders' sand and my intention is to paint in the geomancy spirals which feature in the Mystics' valley in the film. A bit of interest was added by putting tufts of static grass and lichen around the rocky outcrops.